•Lossless rips (.ape-, maar sinds mijn overstap op Mac vooral .flac-formaat, met cue) in .rar delen, 3% recovery •Volledige scans (300 dpi) van boekje, behalve waar niet •Rapporteert u s.v.p. mogelijke problemen en ik zal trachten ze te verhelpen
•All lossless rips (in .ape, but since I've switched to a Mac mostly .flac format, with cue) in .rar packs, 3% recovery •Full scans (300 dpi) of covers and booklet, except when noted •Please report any problems you might encounter and I will try to fix them
The Film Music of Alan Rawsthorne
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Alan RAWSTHORNE (1905-1971) The Film MuiscThe Captive HeartWest of
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Schumann: Dichterliebe (remastered)
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Libremente inspirado en *Lyrisches Intermezzo* de Heinrich Heine (Schumann
adaptó los poemas a las necesidades de la música, reordenando y alterando
algu...
Program your Weight Loss in as Easy as a Week
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Folhas de Graviola - A Cura do Câncer
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Helmut Winschermann, van huis uit hoboïst, richtte de Deutsche Bachsolisten in 1960 op, en dirigeerde de eerste jaren het gezelschap nog vanachter zijn hobo, alvorens deze voor een dirigeerstok in te ruilen. Ik vond zijn cantaten altijd al een mooie, natuurlijke ademing hebben, daar zal het instrument waar hij specialist in was, de barokhobo, zeker aan hebben bijgedragen. (Misschien zouden meer dirigenten ademhalingsoefeningen kunnen doen alvorens het tempo van een Bach-cantate te bepalen?) Deze CD-box waarop een aantal opnamen heruitgegeven werden, bleek hoe langer ik ernaar zocht steeds onvindbaarder. Een nachtelijke biedingssessie onlangs op e-Bay, met werelddelen mij onbekend, verliep echter voorspoedig, goddank, en het doet me veel deugd om u deze muziek op mijn blog te kunnen aanbieden. De grootste parel in de kroon is hier ongetwijfeld Elly Ameling. U moet zelf maar ontdekken naar welke extra hoogte ze de toch al hoogverheven cantate 199, "Mein Herze schwimmt im Blut", tilt; wat ze ondertussen met cantate 51, "Jauchzet Gott in allen Landen", doet, is ronduit spectaculair.
Helmut Winschermann was already a well-known hoboist when he formed the Deutsche Bachsolisten in 1960. In the early years he used to conduct this ensemble from behind his hobo, before changing to the conductor's baton. I always found his cantatas had a wonderful, natural breath, which may have something to do with the instrument he specialised in, the baroque oboe. (Maybe it would be a good idea if more conductors turned to breathing exercises before deciding on the tempo of a cantata by Bach?) This CD-box, featuring re-issues of recordings for LP, turned out to become more and more elusive the longer I searched for it. A nightly bidding session on e-Bay, involving parts of the world not known to me, proofed to be succesful, thank God, and it gives me tremendous joy to be able to present this music to the friends, followers and visitors of my blog. The biggest pearl in the crown here is undoubtably Elly Ameling. Discover for yourself, if you will, to what extra heights she lifts the already sublime cantata 199, "Mein Herze schwimmt im Blut"; in the meantime, what she does with cantata 51, "Jauchzet Gott in allen Landen", is nothing short of spectacular.
CD1 Gloria in Excelsis Deo BWV 191 Erster Teil 1 Coro "Gloria in excelsis Deo" [6:00] Zweiter Teil 2 Aria (Duetto - Soprano, Tenore) "Gloria Patri e Filio et Spriritui Sancto" [4:11] 3 Coro "Sicut erat in principio" [4:31]
Selig ist der Mann BWV 57 4 Aria (Basso)"Selig ist der Mann" [3:08] 5 Recitativo (Soprano) "Ach, dieser süße Trost" [1:32] 6 Aria (Soprano) "Ich wünschte mir den Tod" [4:41] 7 Recitativo (Dialogo - Basso, Soprano) "Ich reiche dir die Hand" [0:32] 8 Aria (Basso) "Ja, ja, ich kann die Feinde schlagen" [5:34] 9 Recitativo (Dialogo - Basso, Soprano) "In meinem Schoß liegt Ruh'" [1:58] 10 Aria (Soprano) "Ich ende behende mein irdisches Leben" [4:20] 11 Corale "Richte dich, Liebste, nach meinem Gefallen" [0:40]
Süßer Trost, mein Jesus kömmt BWV 151 12 Aria (Soprano) "Süßer Trost, mein Jesus kömmt" [9:26] 13 Recitativo (Basso) "Erfreue dich, mein Herz" [1:23] 14 Aria (Alto) "In Jesu Demut kann ich Trost" [6:36] 15 Recitativo (Tenore) "Du treuer Gottessohn" [1:04] 16 Corale "Heut' schleußt er wieder auf die Tür" [0:41]
Liebster Jesu, mein Verlangen BWV 32 17 Aria (Soprano) "Liebster Jesu, mein Verlangen" [4:33] 18 Recitativo (Basso) "Was ist's, was ist's, daß du mich gesuchet?" [0:37] 19 Aria (Basso) "Hier, in meines Vaters Stätte" [6:45] 20 Recitativo (Soprano, Basso) "Ach, heiliger und großer Gott" [2:31] 21 Duetto (Soprano, Basso) "Nun verschwinden alle Plagen" [5:19] 22 Corale "Mein Gott, öffne mir die Pforten" [1:00]
CD2 Ein Herz, das seinem Jesum lebend weiß BWV 134 1 Recitativo (Tenore, Alto) "Ein Herz, das seinem Jesum lebend weiß" [0:50] 2 Aria (Tenore) "Auf, Gläubige, singet die lieblichen Lieder" [5:27] 3 Recitativo (Dialogo - Tenore, Alto) "Wohl dir, Gott hat an dich gedacht" [3:01] 4 Aria (Duetto - Alto, Tenore) "Wir danken und preisen dein brünstiges Lieben" [9:18] 5 Recitativo (Tenore, Alto) "Doch wirke selbst den Dank in unserm Munde" [2:26] 6 Corale "Erschallet, ihr Himmel, erfreue dich, Erde" [7:53]
Auf Christi Himmelfahrt allein BWV 128 7 Coro "Auf Christi Himmelfahrt allein" [4:57] 8 Recitativo (Tenore) "Ich bin bereit, komm, hole mich" [0:50] 9 Aria & Recitativo (Basso) "Auf, auf, mit hellem Schall" [3:48] 10 Aria (Duetto - Alto, Tenore) "Sein' Allmacht zu ergründen" [6:37] 11 Corale "Alsdenn so wirst du mich" [1:00]
Wer mich liebet, der wird mein Wort halten BWV 74 12 Coro "Wer mich liebet, der wird mein Wort halten" [3:48] 13 Aria (Soprano) "Komm, komm, mein Herze steht dir offen" [3:48] 14 Recitativo (Alto) "Die Wohnung ist bereit" [0:57] 15 Aria (Basso) "Ich gehe hin und komme wieder zu euch" [2:52] 16 Aria (Tenore) "Kommt, eilet, stimmet Sait' und Lieder" [5:50] 17 Recitativo (Basso) "Es ist nichts Verdammliches an denen" [0:32] 18 Aria (Alto) "Nichts kann mich erretten" [5:40] 19 Corale "Kein Menschenkind hier auf der Erd'" [1:07]
CD3 Erhöhtes Fleisch und Blut BWV 173 1 Recitativo (Tenore) "Erhöhtes Fleisch und Blut" [0:40] 2 Aria (Tenore) "Ein geheiligtes Gemüte" [4:08] 3 Aria (Alto) "Gott will, o ihr Menschenkinder" [1:42] 4 Aria (Duetto - Basso, Soprano) "So hat Gott die Welt geliebt" [3:51] 5 Recitativo (Duetto - Soprano, Tenore) "Unendlichster, den man doch Vater nennt" [1:33] 6 Corale "Rühre, Höchster, unsern Geist" [2:36]
Herz und Mund und Tat und Leben BWV 147 Erster Teil 7 Coro "Herz und Mund und Tat und Leben" [4:25] 8 Recitativo (Tenore) "Gebenedeiter Mund" [1:36] 9 Aria (Alto) "Schäme dich, o Seele, nicht" [4:38] 10 Recitativo (Basso) "Verstockung kann Gewaltige verblenden" [1:34] 11 Aria (Soprano) "Bereite dir, Jesu, noch itzo die Bahn" [4:22] 12 Corale "Wohl mir, daß ich Jesum habe" [3:25] Zweiter Teil 13 Aria (Tenore) "Hilf, Jesu, hilf, daß ich dich auch bekenne" [3:18] 14 Recitativo (Alto) "Der höchsten Allmacht Wunderhand" [2:57] 15 Aria (Basso) "Ich will von Jesu Wundern singen" [2:46] 16 Corale "Jesu bleibet meine Freude" [3:19]
Jauchzet Gott in allen Landen BWV 51 17 Aria (Soprano) "Jauchzet Gott in allen Landen" [4:42] 18 Recitativo (Soprano) "Wir beten zu dem Tempel an" [2:31] 19 Aria (Soprano) "Höchster, mache deine Güte" [4:24] 20 Corale (Soprano) "Sei Lob und Preis mit Ehren" [3:40] 21 Aria (Soprano) "Alleluja!" [2:24]
CD4 Mein Herze schwimmt im Blut BWV 199 1 Recitativo (Soprano) "Mein Herze schwimmt im Blut" [2:01] 2 Aria e Recitativo (Soprano) "Stumme Seufzer, stille Klagen" [8:26] 3 Recitativo (Soprano) "Doch Gott muß mir genädig sein" [1:19] 4 Aria (Soprano) "Tief gebückt und voller Reue" [9:19] 5 Recitativo (Soprano) "Auf diese Schmerzensreu" [0:18] 6 Corale (Soprano) "Ich, dein betrübtes Kind" [1:58] 7 Recitativo (Soprano) "Ich lege mich in diese Wunden" [0:49] 8 Aria (Soprano) "Wie freudig ist mein Herz" [2:02]
Ich will den Kreuzstab gerne tragen BWV 56 9 Aria (Basso) "Ich will den Kreuzstab gerne tragen" [8:05] 10 Recitativo (Basso) "Mein Wandel auf der Welt" [2:22] 11 Aria (Basso) "Endlich, endlich wird mein Joch" [7:22] 12 Recitativo (Basso) "Ich stehe fertig und bereit" [1:58] 13 Corale "Komm, o Tod, du Schlafes Bruder" [1:13]
Ich habe genug BWV 82 14 Aria (Basso) "Ich habe genug" [8:03] 15 Recitativo ed Andante (Basso) "Ich habe genug" [1:35] 16 Aria (Basso) "Schlummert ein, ihr matten Augen" [7:13] 17 Recitativo (Basso) "Mein Gott, wann kommt das schöne: Nun" [1:02] 18 Aria (Basso) "Ich freue mich auf meinen Tod" [4:04]
CD5 (Sinfonias etc.) 1 Christmas Oratorio BWV 248: Sinfonia [6:19] 2 Vom Himmel hoch BWV 738 - Choralbearbeitung für Orgelsolo [1:19] 3 Christmas Oratorium BWv 248: Ach, mein herzliebes Jesulein (Corale) [1:19] 4 Herz und Mund und Tat und Leben: Choralbearbeitung für Oboe, Oboe d'amore, Englisch-Horn, Fagott, Streicher und Continuo - Wohl mir, daß ich Jesum habe (Corale) [3:37] 5 Sie werden aus Saba alle kommen BWV 65 - Die Kön'ge aus Saba (Corale) [1:29] 6 In dulci jubilo BWV 729 - Choralbearbeitung für Orgelsolo [2:02] 7 In dulci jubilo BWV 368 (Corale) [2:16] 8 Wir danken dir Gott, wir danken dir BWV 29: Sinfonia D-dur [3:30] 9 Ich liebe den Höchsten von ganzem Gemüte BWV 174: Sinfonia (Concerto) G-dur [6:20] 10 Wer sucht die Pracht, wer wünscht den Glanz BWV 221: Sinfonia D-dur [2:12] 11 Falsche Welt, dir trau' ich nicht BWV 52: Sinfonia F-dur [4:17] 12 Nach dir, Herr, verlanget mich BWV 150: Sinfonia h-moll [1:43] 13 Uns ist ein Kind geboren BWV 142: Concerto a-moll [1:40] 14 Der Herr denket an uns BWV 196: Sinfonia C-dur [1:57] 15 Ich geh' und suche mit Verlangen BWV 49: Sinfonia E-dur [6:51] 16 Vereinigte Zwietracht der wechselnden Saiten BWV 207: Marcia D-dur [2:05] 17 Christ lag in Todesbanden BWV 4: Sinfonia G-dur [1:29] 18 Der Himmel lacht, die Erde jubilieret BWV 31: Sonata C-dur [2:43] 19 Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146: Concerto d-moll [7:54] 20 Gottes Zeit ist die allerbeste Zeit BWV 146: Sonatina B-dur [2:29] 21 Gott soll allein mein Herze haben BWV 169: Sinfonia D-dur [7:49]
Elly Ameling, sopraan (BWV 32, 51, 57, 199) Ileana Cotrubas, sopraan (BWV 74, 147, 173, 191) Agnes Giebel, sopraan (BWV 151) Birgit Finnilä, alt (BWV 151) Julia Hamari, alt (BWV 74, 128, 134, 147, 173, 191) Kurt Equiluz, tenor (BWV 74, 128, 134, 147, 173, 191) Dieter Ellenbeck, tenor (BWV 151) Hermann Prey, bas (BWV 32, 57, 128, 173) Gérard Souzay, bas (BWV 56, 82) William Reimer, bas (BWV 74, 147)
Chor der Deutschen Bachsolisten (BWV 32, 57, 191) Kantorei Barmen-Gemarke (BWV 128, 134, 173, 191) Westfälische Kantorei Herford (BWV 32, 57, 65, 151, 248, 368) Nederlands Vocaal Ensemble (BWV 65, 74, 147, 248, 368) Berliner Capella (BWV 56, 82, 199)
Maurice André, trompet (BWV 51, 128, 191) Don Smithers, trompet (BWV 74) Robert Dohn, fluit (BWV 191) Hans-Jürgen Möhring, fluit (BWV 151) Ingo Goritzki, hobo (BWV 32) Gernot Schmallfuss, hobo (BWV 199) Günther Zorn, hobo (BWV 56, 82, 199) Helmut Winschermann, oboe d'amore (BWV 128), oboe da caccia (BWV 74), hobo (BWV 56) Saschko Gawriloff, viool (BWV 32, 74) Ernst Mayer-Schierning, viool (BWV 57) Jürgen Kußmaul, altviool (BWV 199) Arno Schönstedt, orgel (BWV 729, 738)
Continuo: Clavecimbel & orgel: Gottfried Bach (BWV 32, 51, 57, 74, 82, 147, 199) Burghard Schloemann (BWV 128, 134, 173, 191) Arno Schönstedt (BWV 151) Peter Schwarz (BWV 56)
Opgenomen in de Kobe Shoin Women's University, Japan, 1999
Johann Sebastian Bach - Violin Concertos - Ryo Terakado, Bach Collegium Japan
Concerto for Two Violins and Strings in D minor, BWV 1043 1 Vivace [3:29] 2 Largo ma non tanto [6:44] 3 Allegro [4:29] Violin Concerto in A minor, BWV 1041 4 [-] [3:44] 5 Andante [6:24] 6 Allegro assai [3:32] Violin Concerto in E major, BWV 1042 7 [Allegro] [7:42] 8 [Adagio] [5:57] 9 Allegro assai [2:34] Concerto for Oboe, Violin and Strings in C minor Reconstruction after BWV 1060 by Wilfried Fischer 10 Allegro [4:39] 11 Adagio [4:56] 12 Allegro [3:17]
Ryo Terakado, viool (Giovanni Grancino, Milaan, ca. 1690) Natsumi Wakamatsu, viool (Giofrede Cappa, Saluzzo 1691) [1-3] Marcel Ponseele, hobo [10-12] Bach Collegium Japan Masaaki Suzuki, clavecimbel/dirigent
Opgenomen in de Festeburgkirche Frankfurt am Main, december 1987
Dezelfde opname was hier al eerder vertegenwoordigd, maar onlangs vond ik een andere uitgave, niet in de vorm van een obscure budget-herverpakkingslistigheid, maar als officiële cd, met tekstboekje en al. Aangezien het moeilijk is aan deze cd te geraken, en er een versie van BWV 82 op staat die mij misschien wel het meest dierbaar is (de manier waarop Prey 'fallet' intoneert in de "Schlummert ein"-aria, bijvoorbeeld), zag ik geen barrières om de virtuele ruimte met deze doublure te laten uitdijen.
The same recording featured before on this blog, but here is what seems to be the original cd, with booklet and all. Because it is rather difficult to obtain, and it contains a performance of BWV 82 which is very dear to me (the way Prey sings the phrase 'fallet' in the "Schlummert ein"-aria, for example), I did not hesitate to expand the virtual space with this little doublure.
Hermann Prey, bas-bariton Kammerchor der Frankfurter Singakademie Liviu Varcol, hobo Deutsche Bachsolisten Helmut Winschermann
Ich habe genug BWV 82 1 Aria: Ich habe genug [8:21] 2 Recitativo: Ich habe genug [1:20] 3 Aria: Schlummert ein, ihr matten Augen [10:08] 4 Recitativo: Mein Gott! wenn kömmt das schöne: Nun! [0:51] 5 Aria: Ich freue mich auf meinem Tod [3:59]
Ich will den Kreuzstab gerne tragen BWV 56 6 Aria: Ich will den Kreuzstab gerne tragen [8:31] 7 Recitativo: Mein Wandel auf der Welt [2:24] 8 Aria: Endlich, endlich wird mein Joch [7:25] 9 Recitativo ed Arioso: Ich stehe fertig und bereit [1:49] 10 Choral: Komm, o Tod, du Schlafes Bruder [1:38]
"Martinů left a flowering of seemingly unpretentious chamber works, full of transparency and light, whose induced messages alow themselves to be understood only after long familiarity with his method of communication. In the Paris of the 1920s, he was writing in the space of a few days for Stanislav Novak and Maurits Frank the Duo No. 1 they play December 9, 1925. This short diptych, characteristic of his jazzy 'Parisian' style, juxtaposes a Praeludium, worthy of the Bach of the Partitas, and a polytonal, syncopated Rondo, an exuberant, virtuoso stroll through the Paris of Cocteau. The String Trio No. 2 is dedicated to the Pasquier Trio (Concerts du Triton, December 6, 1935). Each movement has recitatives in the form of cadenzas, close to virtuoso improvisation and inhereted from Roussel. In the Three Madrigals, Martinů, now in USA, attained the universal with this art of the instrumental madrigal which draws in sources from the Elizabethan viol music while at the same time subliming two masterpieces of Mozart, the Duos K 423/4. They are dedicated to the American duo of Lillian and Joseph Fuchs who gave the first performance on December, 22, 1947 in New York. This team gives also the premiere, January 5, 1951, of the Duo No. 2 H. 331, appearing less radiant or even austere. In 1958, Martinů was again a guest of Paul Sacher in Switzerland and wrote the Duo No. 2 H. 371 for violin-cello, pre-Classical in outline, respecting a broadened key of D. In its short fast-slow-fast-movements, it favours an almost plastic beauty of polyphony in external Allegros, the atmosphere of a sentimental stroll, not without nostalgia and close to decanted dumka in the central Adagio. In March 1959, he was writing a short didactic poco allegro for two cellos, 34 bars for the instrumental class of Suzanne Hitzel." - Booklet
"It doesn't look promising: a whole disc of string duos and trios by a composer that even his warmest admirers admit was both over-prolific and uneven. Maybe it has something to do with the fact that Martinů was a string player himself, but the level of invention here is very high, and it often emerges in the forms of nervous, energetic toccata and folk-rooted lyricism that those admirers will recognise as 'real Martinů'. (...) Martinů quite often, notably in his only surviving String Trio, rewards his players for negotiating his energetic toccatas with brilliant but never merely showy cadenzas, and these fine players respond with ample tone and real sympathy for his idiom and for the touching nostalgia that often underlies it. The recording is satisfyingly full. Warmly recommended." - Gramophone's Classical Good CD, DVD and Download Guide, 2007
Beethoven String Trio Pavel Hůla - Josef Klusoň - Michal Kaňka
Duo #1 for violin and violoncello (1927) 1 Praeludium - Andante moderato [4:17] 2 Rondo - Allegro con brio [8:00]
String Trio #2 for violin, viola and violoncello (1934) 3 Allegro [7:l5] 4 Poco moderato - Vivo - Allegro ma non troppo [7:05]
Three Madrigals (Duo #1) for violin and viola (1947) 5 Poco allegro [4:06] 6 Poco andante [5:42] 7 Allegro [5:37]
Duo #2 for violin and viola (1950) 8 Allegro [4:36] 9 Lento [6:15] 10 Allegro (poco) [3:39]
Duo #2 for violin and violoncello (1958) 11 Allegretto [2:40] 12 Adagio [3:55] 13 Poco allegro [3:10]
Piece for two violoncellos (1959) 14 Poco allegro [1:00] TT 68:17
"I first heard a recording of the Quartets 1, 2 and 3 in Holland in 1995. A friend (later my husband) played me the music he had discovered at the public library, and I was immediately fascinated, not being able to place the idiom or language in any one country or style. I heard elements of Stravinsky, Janacek, Kodaly, Debussy, Copland. Who was this? A European? American? As I started to learn more about George Antheil, I discovered that he indeed crossed the Antlantic physically and musically, defying any strict categorization. What remained with me were his haunting melodies and motives... years after losing the recording we had, I still had the themes of the first and the third quartets in my ear. When finally I managed to get hold of a copy of the now out-of-print Mondriaan Quartet recording, the music had the same impact on my colleagues in the Del Sol. We immediately felt an affinity for the music, and got to work researching the sources." (Monica Scott)
"The Del Sol Quartet, which has given the posthumous premiere readings of some of this music, obviously knows and loves these scores inside out, thus providing more incisive and insightful interpretations than the Mondrian Quartet on the earlier disc. Accompanied by a lengthy and well-informed essay by an Italian Antheil specialist, this is an indispensable contribution to the reclamation of our national musical heritage." (Paul A. Snook, Fanfare Magazine)
Kate Stenberg, Rick Shinzaki, viool Charlton Lee, altviool Monica Scott, cello
Lithuanian Night (1922) 1 I. Moderato [2:14] 2 II. Presto [1:12]
Quartet No. 1 for Strings in one movement (1925) 3 Allegretto allegro [14:24]
Quartet No. 2 for Strings (original version, 1927) world premiere recording "For Sylvia Beach, with Love" 4 I. Larghetto: Allegro subito [7:48] 5 II. Lento [4:02] 6 III. Rondino scherzino-Allegro vivace [6:29] 7 IV. Presto—Cadenza finale [1:03]
Six Little Pieces for String Quartet (1931) world premiere recording "For Mary Louise Bok" 8 I. Moderato expressivo [1:12] 9 II. Allegro [0:49] 10 III. Andante [1:37] 11 IV. Allegro [0:42] 12 V. Vivo [0:43] 13 VI. Adagio [2:36]
Quartet No. 3 for Strings (1948) 14 I. Allegretto [5:30] 15 II. Largo [5:12] 16 III. Scherzo—Quasi presto [2:12] 17 IV. Allegro giocoso [4:29]
1 Herma for piano (1961) [6:39] 2 Mists for piano (1981) [11:13] 3 Khoaï for harpsichord (1976) [14:23] 4 Evryali for piano (1973) [7:43] 5 Naama for harpsichord (1984) [15:33] TT 55:30
Opgenomen in St. Sebastian, Bombach (D), mei 1996. -Out of print CD-
La Gamba, Freiburg, viola's da gamba: Ekkehard Weber, diskant & alt Petra Manz, alt Martin Rothbauer, bas
1 Francesco Guami (ca 1544-1602) - Ricercar 3 [2:48] 2 Vincenzo Ruffo (ca 1510-1587) - El Chioco [1:50] 3 Vincenzo Ruffo - La Brava [1:50] 4 Vincenzo Ruffo - Il Capriccioso [2:17] 5 Vincenzo Ruffo - La Disperata [2:40] 6 Orlando di Lasso (1532-1594) - La Sol Fa Re Mi [1:52] 7 Vincenzo Ruffo - La Sol Fa Re Mi [1:53] 8 Vincenzo Ruffo - La Gamba in basso & Soprano [1:17] 9 Vincenzo Ruffo - La Gamba in Tenor [1:10] 10 Vincenzo Ruffo - El Pietoso [2:57] 11 Vincenzo Ruffo - La piva [0:47] 12 Francesco Guami - Ricercar 8 [2:04] 13 Adrian Willaert (1480-1562) - Ricercar 1 [4:05] 14 Alexander Agricola (ca 1446-1506) - A les regrets [2:00] 15 Adrian Willaert - Ricercar 6 [3:42] 16 Alexander Agricola - l'homme banni [2:50] 17 Adrian Willaert - Ricercar 7 [3:25] 18 Alexander Agricola - Cecus non judicat de coloribus [5:36] 19 Giovanni Bassano (ca 1558-1617) - Fantasia I [1:30] 20 Giovanni Bassano - Fantasia II [1:30] 21 Giovanni Bassano - Fantasia III [1:30] 22 Giovanni Bassano - Fantasia IV [1:42] 23 Giovanni Bassano - Fantasia V [1:26] 24 Orlando di Lasso - Fantasia [2:23] 25 Claudio Monteverdi (1567-1643) - Canzonetta I [1:17] 26 Claudio Monteverdi - Canzonetta II [1:18] 27 Claudio Monteverdi - Canzonetta III [1:02] 28 Claudio Monteverdi - Canzonetta IV [1:18] 29 Claudio Monteverdi - Canzonetta V [1:09] 30 Giovanni Battista Conforti (ca 1550-ca 1570) - Ricercar del secondo tono [3:36]