•Lossless rips (.ape-, maar sinds mijn overstap op Mac vooral .flac-formaat, met cue) in .rar delen, 3% recovery •Volledige scans (300 dpi) van boekje, behalve waar niet •Rapporteert u s.v.p. mogelijke problemen en ik zal trachten ze te verhelpen
•All lossless rips (in .ape, but since I've switched to a Mac mostly .flac format, with cue) in .rar packs, 3% recovery •Full scans (300 dpi) of covers and booklet, except when noted •Please report any problems you might encounter and I will try to fix them
Schumann: Dichterliebe (remastered)
-
Libremente inspirado en *Lyrisches Intermezzo* de Heinrich Heine (Schumann
adaptó los poemas a las necesidades de la música, reordenando y alterando
algu...
Reversal dan Scalping dalam binary
-
Dalam dunia bisnis online terutama *binary*, menganalisa pergerakan pasar
sangat penting guna mendapatkan profit yang di harapkan.
Memang hanya ada 2 jeni...
Program your Weight Loss in as Easy as a Week
-
The idea of the program is to be able for you to develop a consistent
approach to weight loss as well as a healthy endurance when exercising.
The program’...
Folhas de Graviola - A Cura do Câncer
-
*OFERTA MUITO ESPECIAL*01 pacote com 120 folhas de graviola, quantidade
suficiente para até 40 dias de tratamento, sem cobrança de frete, a*penas:*
*.*
* R$...
Opgenomen in de kerk van Nenzlingen, Zwitserland, januari 1979
"The most principal and chiefest kind of music which is made without a ditty [text]... that is when a musician taketh a point at his pleasure and wresteth and turneth it as he list, making either much or little of it according as shall seem best in his own conceit. In this may more art be shown than in any other music because the composer is tied to nothing, but that he may add, diminish, and alter at his pleasure." - Thomas Morley on the Fantasia, 1597
Jordi Savall, Christopher Coin, Sergi Casademunt, viola's da gamba Johannes Sonnleitner, orgel
1. Fantasie XII [4:07] 2. Fantasie V [1:57] 3. Fantasie II [2:41] 4. Fantasie VII [2:27] 5. Fantasie III [2:31] 6. Fantasie VI [1:53] 7. Fantasie XIV [3:19] 8. Fantasie X [4:27] 9. Fantasie VIII [2:33] 10. Fantasie I [2:40] 11. Fantasie IX [2:15] 12. Fantasie XV [3:38] 13. Fantasie IV [2:54] 14. In Nomine a : 4 [2:13] TT: 41:15
"It is remarkable what Tye can convey within works lasting as short as 90 seconds; his pure and reverent music looks forward to aspects of Beethoven’s late string quartets such as the central Heiliger Dankgesgang movement of the A Minor Quartet, Op. 132, with which it shares the visionary long held chords of painfully beautiful intensity. As with these Beethoven masterpieces, Tye’s brief studies are imbued with tremendous feeling and spirituality. Tye’s own magnum opus, his De Profundis, is entitled Sit Fast. Scored for three viols (where the majority of these instrumental works are for five players), it lasts a full seven and a half minutes, which considering Tye’s poetic capacities for condensation of material and mood, is comparatively symphonic in scope." - Volledige recensie op Epinions.com Hespèrion XX: Jordi Savall Eunice Brandao Sergi Casademunt Lorenz Duftschmid Paolo Pandolfo Laurence Bonnal, viola da gamba's
1. O Lux a 5 [3:15] 2. In Nomine a 4 [1:52] 3. In Nomine a 5 Weep no more Rachell[2:19] 4. In Nomine a 6 [2:04] 5. In Nomine a 5 Farwell my good I for ever[1:41] 6. In Nomine a 5 Rachells weepinge[2:18] 7. Rubum Quem a 5 [1:15] 8. In Nomine a 5 My death[2:19] 9. In Nomine a 5 Blamles[2:31] 10. In Nomine a 5 [2:11] 11. In Nomine a 5 Rounde[2:28] 12. In Nomine a 5 Follow me[2:14] 13. Christus Resurgens a 5 [2:56] 14. Dum Transisset a 5 [3:49] 15. Dum Transisset a 5 (2) [3:41] 16. Dum Transisset a 5 (3) [3:53] 17. Dum Transisset a 5 (4) [3:41] 18. Amavit a 5 [2:54] 19. In Nomine a 5 Surrexit non est hicc[2:32] 20. In Nomine a 5 Free from all[2:13] 21. In Nomine a 5 Trust[1:33] 22. In Nomine a 5 Beleve me[2:24] 23. In Nomine a 5 Crye[2:08] 24. Lawdes Deo a 5 [2:21] 25. In Nomine a 5 I come[2:25] 26. In Nomine a 5 Re la re[1:16] 27. In Nomine a 5 Howld fast[1:13] 28. In Nomine a 5 Saye so[2:04] 29. In Nomine a 5 Seldom sene[2:09] 30. In Nomine a 5 Reporte[1:33] 31. Sit Fast a 3 [7:34] TT 79:00
Le Sieur de SAINTE COLOMBE (IIe helft XVIIe eeuw) - 'CONCERTS À DEUX VIOLES ESGALES' (Tome I) Jordi Savall & Wieland Kuijken
De mysterieuze sinjeur Colombe plaatste een zevende snaar op de gamba. Om de diepte ondoorgrondelijker te maken, het klagen preciezer. Klom in zijn boomhut, zijn tweede houten toevlucht, en streek er de sterren van de hemel - voor oh no-one in particular. (Maar in het pinnige struikgewas hurkte stiekem Marin Marais [gespeeld door Gérard Depardieu], om qua gambaspel nog iets van zijn ongenaakbare Meester te mogen leren of lenen.)
Wilt U een nietsvermoedende novice introduceren tot de gamba, en laten horen wat dit instrument allemaal kan, zou de eerste minuut van deze CD al moeten volstaan. In ieder geval ben ik sindsdien verslaafd geraakt aan die warm-metalige, zachtsnerpende klank - al helpt het natuurlijk ook bijzonder als Jordi Savall die voortbrengt.
Inhoud:
1. Concert XXVIIe: Bourrasque (Bourrasque - Balet - Sarabande - Gavote - 2e Sarabande gaye) 2. Concert XLVIIIe: Le Raporté (Le raporté - La belle - Passacaille du raporté - Chacone raporté) 3. Concert XLVe: Le Retour (Le retour - en gigue - en menuet - en courante - balet tendre - en pianelle) 4. Concert XLIVe: Tombeau. Les Regrets (Tombeau Les Regrets - Quarillon - Les pleurs - Joye des Élizées - Les Élizées) 5. Concert LIVe: [La] Dubois ([La] Dubois - Gigue - 2e Gigue en bourrasque - Menuet - Chacone Dubois - Gavote)